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Aspects of America / Kalmar, Oregon Symphony
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Aspects of America / Kalmar, Oregon Symphony

Aspects of America / Kalmar, Oregon Symphony



Aspects of America presents a fascinating collection of 20th- and 21st-century American orchestral music, ranging from “good old” Samuel Barber’s Souvenirs to pieces by esteemed living composers such as Sean Shepherd (Magiya), Sebastian Currier (Microsymph) and Christopher Rouse (Supplica). The centerpiece of this album is Portland-based composer Kenji Bunch’s Aspects of an Elephant, inspired by the timeless parable of six men who try to discern the traits of an elephant in a pitch-dark room, eventually discovering that only the sum of their perceptions encompasses the full truth. In a similar way, the pieces featured on this album constitute a rich panorama of the dynamism and diversity of contemporary American composition. Bunch’s piece is dedicated to the members of the Oregon Symphony, who release their fifth album with Pentatone, after Music for a Time of War (2011), This England (2012), Spirit of the American Range (2015) and Haydn Symphonies 53, 64 & 96 (2017). On Aspects of America, they again play under the spirited leadership of music director Carlos Kalmar.

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REVIEW:

This is a superbly played and astutely programmed disc covering just over sixty-five years of music from the tonal end of the spectrum, and all world-premiere recordings but one.

– The Arts Fuse (J. Blumhofer)
$5.95

Original: $16.99

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Aspects of America / Kalmar, Oregon Symphony

$16.99

$5.95

Aspects of America / Kalmar, Oregon Symphony



Aspects of America presents a fascinating collection of 20th- and 21st-century American orchestral music, ranging from “good old” Samuel Barber’s Souvenirs to pieces by esteemed living composers such as Sean Shepherd (Magiya), Sebastian Currier (Microsymph) and Christopher Rouse (Supplica). The centerpiece of this album is Portland-based composer Kenji Bunch’s Aspects of an Elephant, inspired by the timeless parable of six men who try to discern the traits of an elephant in a pitch-dark room, eventually discovering that only the sum of their perceptions encompasses the full truth. In a similar way, the pieces featured on this album constitute a rich panorama of the dynamism and diversity of contemporary American composition. Bunch’s piece is dedicated to the members of the Oregon Symphony, who release their fifth album with Pentatone, after Music for a Time of War (2011), This England (2012), Spirit of the American Range (2015) and Haydn Symphonies 53, 64 & 96 (2017). On Aspects of America, they again play under the spirited leadership of music director Carlos Kalmar.

-----

REVIEW:

This is a superbly played and astutely programmed disc covering just over sixty-five years of music from the tonal end of the spectrum, and all world-premiere recordings but one.

– The Arts Fuse (J. Blumhofer)

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Aspects of America presents a fascinating collection of 20th- and 21st-century American orchestral music, ranging from “good old” Samuel Barber’s Souvenirs to pieces by esteemed living composers such as Sean Shepherd (Magiya), Sebastian Currier (Microsymph) and Christopher Rouse (Supplica). The centerpiece of this album is Portland-based composer Kenji Bunch’s Aspects of an Elephant, inspired by the timeless parable of six men who try to discern the traits of an elephant in a pitch-dark room, eventually discovering that only the sum of their perceptions encompasses the full truth. In a similar way, the pieces featured on this album constitute a rich panorama of the dynamism and diversity of contemporary American composition. Bunch’s piece is dedicated to the members of the Oregon Symphony, who release their fifth album with Pentatone, after Music for a Time of War (2011), This England (2012), Spirit of the American Range (2015) and Haydn Symphonies 53, 64 & 96 (2017). On Aspects of America, they again play under the spirited leadership of music director Carlos Kalmar.

-----

REVIEW:

This is a superbly played and astutely programmed disc covering just over sixty-five years of music from the tonal end of the spectrum, and all world-premiere recordings but one.

– The Arts Fuse (J. Blumhofer)

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