Bach: Cantatas Vol 15 / Gardiner, English Baroque Soloists
This second special single-CD release for Christmas in the award-winning series of recordings from the Bach Cantata Pilgrimage, incudes BWV 151, one of his most intimate cantatas. Opening with a hauntingly beautiful and consoling soprano aria, it has pre-echoes of both Gluck and Brahms. First heard on Boxing Day 1725, BWV 57 provides us with another opportunity to enjoy Bach, who never wrote an opera, as the best writer of dramatic declamation since Monteverdi. His response to the text is highly personalized, and sparing in its modest forces although strongly expressive. A movement of infectious rhythmic élan, the opening chorus of BWV 133 conveys the exuberance and sheer exhilaration of Christmas. The Monteverdi Choir and The English Baroque Soloists give their customary brilliant performances, making this release the must-have issue of the year's Christmas season.
Bach: Cantatas Vol 15 / Gardiner, English Baroque Soloists
This second special single-CD release for Christmas in the award-winning series of recordings from the Bach Cantata Pilgrimage, incudes BWV 151, one of his most intimate cantatas. Opening with a hauntingly beautiful and consoling soprano aria, it has pre-echoes of both Gluck and Brahms. First heard on Boxing Day 1725, BWV 57 provides us with another opportunity to enjoy Bach, who never wrote an opera, as the best writer of dramatic declamation since Monteverdi. His response to the text is highly personalized, and sparing in its modest forces although strongly expressive. A movement of infectious rhythmic élan, the opening chorus of BWV 133 conveys the exuberance and sheer exhilaration of Christmas. The Monteverdi Choir and The English Baroque Soloists give their customary brilliant performances, making this release the must-have issue of the year's Christmas season.
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This second special single-CD release for Christmas in the award-winning series of recordings from the Bach Cantata Pilgrimage, incudes BWV 151, one of his most intimate cantatas. Opening with a hauntingly beautiful and consoling soprano aria, it has pre-echoes of both Gluck and Brahms. First heard on Boxing Day 1725, BWV 57 provides us with another opportunity to enjoy Bach, who never wrote an opera, as the best writer of dramatic declamation since Monteverdi. His response to the text is highly personalized, and sparing in its modest forces although strongly expressive. A movement of infectious rhythmic élan, the opening chorus of BWV 133 conveys the exuberance and sheer exhilaration of Christmas. The Monteverdi Choir and The English Baroque Soloists give their customary brilliant performances, making this release the must-have issue of the year's Christmas season.
