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Bach: The Well-Tempered Clavier, Book 2
Two years after releasing her album dedicated to Book I of J.S. Bach's Well-Tempered Clavier, C�line Frisch now presents the second volume of this musical landmark. Bach compiled Book II in 1744, twenty-two years after Book I. It took until 1801 for both volumes to be printed: from then until the present day they have inspired countless composers. After a series of recordings with the Ensemble Zimmermann she helped to found, C�line Frisch returns to the harpsichord recital, for a programme of this, her very favourite music. Through these preludes and fugues, she reminds us that far from being technical exercises, the Well- Tempered Clavier is a work of pure pleasure and constant renewed discovery. As Robert Schumann declared: 'You should frequently play the fugues of the great masters, particularly those of J.S. Bach. Make the Well-Tempered Clavier your daily bread.'
$5.60
Original: $15.99
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$15.99
$5.60Bach: The Well-Tempered Clavier, Book 2
Two years after releasing her album dedicated to Book I of J.S. Bach's Well-Tempered Clavier, C�line Frisch now presents the second volume of this musical landmark. Bach compiled Book II in 1744, twenty-two years after Book I. It took until 1801 for both volumes to be printed: from then until the present day they have inspired countless composers. After a series of recordings with the Ensemble Zimmermann she helped to found, C�line Frisch returns to the harpsichord recital, for a programme of this, her very favourite music. Through these preludes and fugues, she reminds us that far from being technical exercises, the Well- Tempered Clavier is a work of pure pleasure and constant renewed discovery. As Robert Schumann declared: 'You should frequently play the fugues of the great masters, particularly those of J.S. Bach. Make the Well-Tempered Clavier your daily bread.'
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Two years after releasing her album dedicated to Book I of J.S. Bach's Well-Tempered Clavier, C�line Frisch now presents the second volume of this musical landmark. Bach compiled Book II in 1744, twenty-two years after Book I. It took until 1801 for both volumes to be printed: from then until the present day they have inspired countless composers. After a series of recordings with the Ensemble Zimmermann she helped to found, C�line Frisch returns to the harpsichord recital, for a programme of this, her very favourite music. Through these preludes and fugues, she reminds us that far from being technical exercises, the Well- Tempered Clavier is a work of pure pleasure and constant renewed discovery. As Robert Schumann declared: 'You should frequently play the fugues of the great masters, particularly those of J.S. Bach. Make the Well-Tempered Clavier your daily bread.'
