Beethoven: Piano Concertos Nos. 1 & 3 / Brautigam, Parrott, Norrköping SO
With five discs released so far in the cycle, Ronald Brautigam now takes on Beethoven's complete works for piano and orchestra, choosing to do so on a modern piano and with a modern instrument orchestra: the Norrköping Symphony Orchestra, internationally acclaimed for its many fine recordings on BIS. Conducting the series is Andrew Parrott, and together with the soloist, he brings all his expertise in period performance practise to bear in interpretations that in many ways are as fresh and revolutionary as those of the sonata cycle. The present disc, with Concertos No.1 and No.3, is the first of a cycle of four, and was recorded with solo piano, without a lid, placed in the middle of the orchestra As Ronald Brautigam explains in the liner notes: 'I truly believe that what Beethoven wanted was chamber music rather than a battle between orchestra and soloist, and this makes for a wonderfully interactive set-up-, where individual players have far m ore contact with the pianist than in a regular concert set-up'.
Beethoven: Piano Concertos Nos. 1 & 3 / Brautigam, Parrott, Norrköping SO
With five discs released so far in the cycle, Ronald Brautigam now takes on Beethoven's complete works for piano and orchestra, choosing to do so on a modern piano and with a modern instrument orchestra: the Norrköping Symphony Orchestra, internationally acclaimed for its many fine recordings on BIS. Conducting the series is Andrew Parrott, and together with the soloist, he brings all his expertise in period performance practise to bear in interpretations that in many ways are as fresh and revolutionary as those of the sonata cycle. The present disc, with Concertos No.1 and No.3, is the first of a cycle of four, and was recorded with solo piano, without a lid, placed in the middle of the orchestra As Ronald Brautigam explains in the liner notes: 'I truly believe that what Beethoven wanted was chamber music rather than a battle between orchestra and soloist, and this makes for a wonderfully interactive set-up-, where individual players have far m ore contact with the pianist than in a regular concert set-up'.
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With five discs released so far in the cycle, Ronald Brautigam now takes on Beethoven's complete works for piano and orchestra, choosing to do so on a modern piano and with a modern instrument orchestra: the Norrköping Symphony Orchestra, internationally acclaimed for its many fine recordings on BIS. Conducting the series is Andrew Parrott, and together with the soloist, he brings all his expertise in period performance practise to bear in interpretations that in many ways are as fresh and revolutionary as those of the sonata cycle. The present disc, with Concertos No.1 and No.3, is the first of a cycle of four, and was recorded with solo piano, without a lid, placed in the middle of the orchestra As Ronald Brautigam explains in the liner notes: 'I truly believe that what Beethoven wanted was chamber music rather than a battle between orchestra and soloist, and this makes for a wonderfully interactive set-up-, where individual players have far m ore contact with the pianist than in a regular concert set-up'.
