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Beethoven: The Solo Concertos / Vladar, Van Kuelen, Speckel, Wiener Kammerorchester
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Beethoven: The Solo Concertos / Vladar, Van Kuelen, Speckel, Wiener Kammerorchester

Beethoven: The Solo Concertos / Vladar, Van Kuelen, Speckel, Wiener Kammerorchester

If you fancy a set of the Beethoven piano concertos that’s suitable for listening to at a single sitting, then look no further. The ingredients are ideal for the job: abundant energy; bold, clear-sighted interpretation; brilliant though intelligently deployed pianism; poetic handling of the various slow movements; vital conducting and orchestral playing that fits the ‘chamber orchestra’ template like a glove. Vladar’s conducting is again excellent but it’s his playing and conducting that really makes the grade. The sound is very realistic, though be warned that the piano is very much upfront. An exceptional set.

– Gramophone
$9.80

Original: $27.99

-65%
Beethoven: The Solo Concertos / Vladar, Van Kuelen, Speckel, Wiener Kammerorchester

$27.99

$9.80

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Beethoven: The Solo Concertos / Vladar, Van Kuelen, Speckel, Wiener Kammerorchester - Image 2

Beethoven: The Solo Concertos / Vladar, Van Kuelen, Speckel, Wiener Kammerorchester

If you fancy a set of the Beethoven piano concertos that’s suitable for listening to at a single sitting, then look no further. The ingredients are ideal for the job: abundant energy; bold, clear-sighted interpretation; brilliant though intelligently deployed pianism; poetic handling of the various slow movements; vital conducting and orchestral playing that fits the ‘chamber orchestra’ template like a glove. Vladar’s conducting is again excellent but it’s his playing and conducting that really makes the grade. The sound is very realistic, though be warned that the piano is very much upfront. An exceptional set.

– Gramophone

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If you fancy a set of the Beethoven piano concertos that’s suitable for listening to at a single sitting, then look no further. The ingredients are ideal for the job: abundant energy; bold, clear-sighted interpretation; brilliant though intelligently deployed pianism; poetic handling of the various slow movements; vital conducting and orchestral playing that fits the ‘chamber orchestra’ template like a glove. Vladar’s conducting is again excellent but it’s his playing and conducting that really makes the grade. The sound is very realistic, though be warned that the piano is very much upfront. An exceptional set.

– Gramophone

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