Bristow & Fry: Classics of American Romanticism / Botstein, The Orchestra Now
George Frederick Bristow and William Henry Fry constituted the first generation of major, native-born composers of instrumental music in the United States. Both were fierce proponents for American music as composers, writers, and performers. Of particular note: Bristow's Symphony No. 4 the "Arcadian" is recorded here in its entirety for the first time. The 1967 recording made by Karl Krueger with the Royal Philharmonic Orchestra made large cuts in the first and last movements, reducing the length of the piece by at least ten minutes.
REVIEW:
Muscular recordings of rare symphonic products of 19th century American orchestral romanticism. These are no dutifully played museum exhibits. The whole orchestra plays with golden age verve and astonishing elation.
— MusicWeb International
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Bristow & Fry: Classics of American Romanticism / Botstein, The Orchestra Now
George Frederick Bristow and William Henry Fry constituted the first generation of major, native-born composers of instrumental music in the United States. Both were fierce proponents for American music as composers, writers, and performers. Of particular note: Bristow's Symphony No. 4 the "Arcadian" is recorded here in its entirety for the first time. The 1967 recording made by Karl Krueger with the Royal Philharmonic Orchestra made large cuts in the first and last movements, reducing the length of the piece by at least ten minutes.
REVIEW:
Muscular recordings of rare symphonic products of 19th century American orchestral romanticism. These are no dutifully played museum exhibits. The whole orchestra plays with golden age verve and astonishing elation.
— MusicWeb International
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George Frederick Bristow and William Henry Fry constituted the first generation of major, native-born composers of instrumental music in the United States. Both were fierce proponents for American music as composers, writers, and performers. Of particular note: Bristow's Symphony No. 4 the "Arcadian" is recorded here in its entirety for the first time. The 1967 recording made by Karl Krueger with the Royal Philharmonic Orchestra made large cuts in the first and last movements, reducing the length of the piece by at least ten minutes.
REVIEW:
Muscular recordings of rare symphonic products of 19th century American orchestral romanticism. These are no dutifully played museum exhibits. The whole orchestra plays with golden age verve and astonishing elation.
— MusicWeb International
