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Busch: Chamber Music, Vol. 2 – Music for Clarinet II
Adolf Busch (1891–1952) enjoys a reputation as one of the great violinists: his Busch Quartet Beethoven recordings have never been surpassed. But Busch was also a major composer, equally natural as contrapuntist and melodist, with a style that owed much to Max Reger. Yet, always a man of principle, he sacrificed his career as both violinist and composer with his dignified refusal to perform or be performed in Nazi Germany. This second CD of his lyrical writing for clarinet, one in a series of recordings of Busch’s light-filled chamber music, extends the rediscovery of this once leading musician.
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Busch: Chamber Music, Vol. 2 – Music for Clarinet II
Adolf Busch (1891–1952) enjoys a reputation as one of the great violinists: his Busch Quartet Beethoven recordings have never been surpassed. But Busch was also a major composer, equally natural as contrapuntist and melodist, with a style that owed much to Max Reger. Yet, always a man of principle, he sacrificed his career as both violinist and composer with his dignified refusal to perform or be performed in Nazi Germany. This second CD of his lyrical writing for clarinet, one in a series of recordings of Busch’s light-filled chamber music, extends the rediscovery of this once leading musician.
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Adolf Busch (1891–1952) enjoys a reputation as one of the great violinists: his Busch Quartet Beethoven recordings have never been surpassed. But Busch was also a major composer, equally natural as contrapuntist and melodist, with a style that owed much to Max Reger. Yet, always a man of principle, he sacrificed his career as both violinist and composer with his dignified refusal to perform or be performed in Nazi Germany. This second CD of his lyrical writing for clarinet, one in a series of recordings of Busch’s light-filled chamber music, extends the rediscovery of this once leading musician.
