
Buxtehude: Harpsichord Music Vol 3 / Lars Ulrik Mortensen
Diapason d'Or winner Lars Ulrik Mortensen, well known for his collaborations with John Holloway and Jaap ter Linden, among others, brings to Buxtehude's music a unique blend of virtuosity and scholarship in the area of performance practice. His playing, while astonishingly accurate and controlled, never gives the impression of being a calculated affair. His informed music making is inspired and breathes fresh life into every bar of this oeuvre. Worthy of note is Mortensen's handling of the cadenza-like arpeggio section in the Prelude in G Major; the building effect is breathtaking, the resolution exultant.
Gramophone (1/00, p. 85) - "...[Mortensen] arranges his programmes
effectively to illustrate the wide range of Buxtehude's art, though the
contrapuntal facility that drew Bach to trudge 200 miles to hear him is
everywhere apparent....enthusiastically recommended..."
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Buxtehude: Harpsichord Music Vol 3 / Lars Ulrik Mortensen
Diapason d'Or winner Lars Ulrik Mortensen, well known for his collaborations with John Holloway and Jaap ter Linden, among others, brings to Buxtehude's music a unique blend of virtuosity and scholarship in the area of performance practice. His playing, while astonishingly accurate and controlled, never gives the impression of being a calculated affair. His informed music making is inspired and breathes fresh life into every bar of this oeuvre. Worthy of note is Mortensen's handling of the cadenza-like arpeggio section in the Prelude in G Major; the building effect is breathtaking, the resolution exultant.
Gramophone (1/00, p. 85) - "...[Mortensen] arranges his programmes
effectively to illustrate the wide range of Buxtehude's art, though the
contrapuntal facility that drew Bach to trudge 200 miles to hear him is
everywhere apparent....enthusiastically recommended..."
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Diapason d'Or winner Lars Ulrik Mortensen, well known for his collaborations with John Holloway and Jaap ter Linden, among others, brings to Buxtehude's music a unique blend of virtuosity and scholarship in the area of performance practice. His playing, while astonishingly accurate and controlled, never gives the impression of being a calculated affair. His informed music making is inspired and breathes fresh life into every bar of this oeuvre. Worthy of note is Mortensen's handling of the cadenza-like arpeggio section in the Prelude in G Major; the building effect is breathtaking, the resolution exultant.
Gramophone (1/00, p. 85) - "...[Mortensen] arranges his programmes
effectively to illustrate the wide range of Buxtehude's art, though the
contrapuntal facility that drew Bach to trudge 200 miles to hear him is
everywhere apparent....enthusiastically recommended..."




















