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Elgar: Enigma Variations; Serenade For Strings; Cockaigne Overture
...an abundantly characterful, often exquisitely observant reading of the Enigma Variations set down at Walthamstow towards the end of 1954... Beecham sifts Elgar’s textures with rare mastery, and there are some delectable sounds throughout from his RPO wind principals (above all, Jack Brymer’s wonderfully hushed solos in the ‘Romanza’). Elsewhere, ‘Troyte’ fairly tears out of the blocks (distinctive, gun-shot timpani), and the finale struts with an irresistible physicality and unbuttoned thrust. By contrast, ‘Dorabella’ skips along in a more leisurely fashion than usual, and I love the tender intimacy Beecham imparts to ‘Ysobel’. A pity about the botched opening of ‘RPA’; otherwise, an Enigma to savour, if not quite ousting such legendary near-contemporaries as the evergreen Monteux or Barbirolli’s inspirational 1956 Halle account from the head of a very long list. It’s preceded by a terrific, swaggeringly exuberant Cockaigne (whose ripe coda heralds a startling change in both ambience and perspective) and a wholly disarming, gently affectionate reading of the Serenade for Strings.
-- Gramophone [8/2001]
-- Gramophone [8/2001]
$17.99
Elgar: Enigma Variations; Serenade For Strings; Cockaigne Overture—
$17.99
Elgar: Enigma Variations; Serenade For Strings; Cockaigne Overture
...an abundantly characterful, often exquisitely observant reading of the Enigma Variations set down at Walthamstow towards the end of 1954... Beecham sifts Elgar’s textures with rare mastery, and there are some delectable sounds throughout from his RPO wind principals (above all, Jack Brymer’s wonderfully hushed solos in the ‘Romanza’). Elsewhere, ‘Troyte’ fairly tears out of the blocks (distinctive, gun-shot timpani), and the finale struts with an irresistible physicality and unbuttoned thrust. By contrast, ‘Dorabella’ skips along in a more leisurely fashion than usual, and I love the tender intimacy Beecham imparts to ‘Ysobel’. A pity about the botched opening of ‘RPA’; otherwise, an Enigma to savour, if not quite ousting such legendary near-contemporaries as the evergreen Monteux or Barbirolli’s inspirational 1956 Halle account from the head of a very long list. It’s preceded by a terrific, swaggeringly exuberant Cockaigne (whose ripe coda heralds a startling change in both ambience and perspective) and a wholly disarming, gently affectionate reading of the Serenade for Strings.
-- Gramophone [8/2001]
-- Gramophone [8/2001]
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Description
...an abundantly characterful, often exquisitely observant reading of the Enigma Variations set down at Walthamstow towards the end of 1954... Beecham sifts Elgar’s textures with rare mastery, and there are some delectable sounds throughout from his RPO wind principals (above all, Jack Brymer’s wonderfully hushed solos in the ‘Romanza’). Elsewhere, ‘Troyte’ fairly tears out of the blocks (distinctive, gun-shot timpani), and the finale struts with an irresistible physicality and unbuttoned thrust. By contrast, ‘Dorabella’ skips along in a more leisurely fashion than usual, and I love the tender intimacy Beecham imparts to ‘Ysobel’. A pity about the botched opening of ‘RPA’; otherwise, an Enigma to savour, if not quite ousting such legendary near-contemporaries as the evergreen Monteux or Barbirolli’s inspirational 1956 Halle account from the head of a very long list. It’s preceded by a terrific, swaggeringly exuberant Cockaigne (whose ripe coda heralds a startling change in both ambience and perspective) and a wholly disarming, gently affectionate reading of the Serenade for Strings.
-- Gramophone [8/2001]
-- Gramophone [8/2001]
