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Erik Then-Bergh: The Complete Electrola & Deutsche Grammophon Recordings
Erik Then-Bergh (1916-1982) is almost forgotten today, content as he was to confine his career, the last twenty years of which were devoted to teaching, to Germany. But to hear this favorite of Furtwangler in his early recordings is to hear playing of the highest order- his combination of superlative technique at the service of deeply profound interpretation can only be compared with the very greatest of artists. We present here his almost complete 78rpm recordings, which were mostly made in Germany during the war and hence had littler international circulation. Then-Bergh was renowned as a Reger player and in this centenary year of Reger’s death, which is also the centenary of Then-Bergh’s birth, we include his stereo LP recording of the Reger Piano Concerto from 1958 which completes his Reger recordings. Perhaps this quote from ‘The Record Book’ (USA 1948) reviewing Beethoven’s Op101 still sums up Then-Bergh’s 78 recordings today: “The performance by a pianist of whom we know nothing, Erik Then-Bergh, is spectacularly fine, and is backed by some of the best reproduction of piano tone we have ever heard.”
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REVIEW:
Erik Then-Bergh was much respected as both pedagogue and performer. His stereo recording of Max Reger's Piano Concerto, with Hans Rosbaud conducting, is thought through from the first bar to the last. It has a naturalness to it that eluded even Rudolf Serkin's otherwise fine versions for Columbia. The solo piano Telemann-Reger Variations in particular are joyous, elegant, and crisply articulated. A highly desirable memorial collection overall to a much-undervalued pianist. Excellent transfers.
– Gramophone
-----
REVIEW:
Erik Then-Bergh was much respected as both pedagogue and performer. His stereo recording of Max Reger's Piano Concerto, with Hans Rosbaud conducting, is thought through from the first bar to the last. It has a naturalness to it that eluded even Rudolf Serkin's otherwise fine versions for Columbia. The solo piano Telemann-Reger Variations in particular are joyous, elegant, and crisply articulated. A highly desirable memorial collection overall to a much-undervalued pianist. Excellent transfers.
– Gramophone
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Erik Then-Bergh: The Complete Electrola & Deutsche Grammophon Recordings
Erik Then-Bergh (1916-1982) is almost forgotten today, content as he was to confine his career, the last twenty years of which were devoted to teaching, to Germany. But to hear this favorite of Furtwangler in his early recordings is to hear playing of the highest order- his combination of superlative technique at the service of deeply profound interpretation can only be compared with the very greatest of artists. We present here his almost complete 78rpm recordings, which were mostly made in Germany during the war and hence had littler international circulation. Then-Bergh was renowned as a Reger player and in this centenary year of Reger’s death, which is also the centenary of Then-Bergh’s birth, we include his stereo LP recording of the Reger Piano Concerto from 1958 which completes his Reger recordings. Perhaps this quote from ‘The Record Book’ (USA 1948) reviewing Beethoven’s Op101 still sums up Then-Bergh’s 78 recordings today: “The performance by a pianist of whom we know nothing, Erik Then-Bergh, is spectacularly fine, and is backed by some of the best reproduction of piano tone we have ever heard.”
-----
REVIEW:
Erik Then-Bergh was much respected as both pedagogue and performer. His stereo recording of Max Reger's Piano Concerto, with Hans Rosbaud conducting, is thought through from the first bar to the last. It has a naturalness to it that eluded even Rudolf Serkin's otherwise fine versions for Columbia. The solo piano Telemann-Reger Variations in particular are joyous, elegant, and crisply articulated. A highly desirable memorial collection overall to a much-undervalued pianist. Excellent transfers.
– Gramophone
-----
REVIEW:
Erik Then-Bergh was much respected as both pedagogue and performer. His stereo recording of Max Reger's Piano Concerto, with Hans Rosbaud conducting, is thought through from the first bar to the last. It has a naturalness to it that eluded even Rudolf Serkin's otherwise fine versions for Columbia. The solo piano Telemann-Reger Variations in particular are joyous, elegant, and crisply articulated. A highly desirable memorial collection overall to a much-undervalued pianist. Excellent transfers.
– Gramophone
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Description
Erik Then-Bergh (1916-1982) is almost forgotten today, content as he was to confine his career, the last twenty years of which were devoted to teaching, to Germany. But to hear this favorite of Furtwangler in his early recordings is to hear playing of the highest order- his combination of superlative technique at the service of deeply profound interpretation can only be compared with the very greatest of artists. We present here his almost complete 78rpm recordings, which were mostly made in Germany during the war and hence had littler international circulation. Then-Bergh was renowned as a Reger player and in this centenary year of Reger’s death, which is also the centenary of Then-Bergh’s birth, we include his stereo LP recording of the Reger Piano Concerto from 1958 which completes his Reger recordings. Perhaps this quote from ‘The Record Book’ (USA 1948) reviewing Beethoven’s Op101 still sums up Then-Bergh’s 78 recordings today: “The performance by a pianist of whom we know nothing, Erik Then-Bergh, is spectacularly fine, and is backed by some of the best reproduction of piano tone we have ever heard.”
-----
REVIEW:
Erik Then-Bergh was much respected as both pedagogue and performer. His stereo recording of Max Reger's Piano Concerto, with Hans Rosbaud conducting, is thought through from the first bar to the last. It has a naturalness to it that eluded even Rudolf Serkin's otherwise fine versions for Columbia. The solo piano Telemann-Reger Variations in particular are joyous, elegant, and crisply articulated. A highly desirable memorial collection overall to a much-undervalued pianist. Excellent transfers.
– Gramophone
-----
REVIEW:
Erik Then-Bergh was much respected as both pedagogue and performer. His stereo recording of Max Reger's Piano Concerto, with Hans Rosbaud conducting, is thought through from the first bar to the last. It has a naturalness to it that eluded even Rudolf Serkin's otherwise fine versions for Columbia. The solo piano Telemann-Reger Variations in particular are joyous, elegant, and crisply articulated. A highly desirable memorial collection overall to a much-undervalued pianist. Excellent transfers.
– Gramophone
