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Frommel: Piano Sonatas Nos. 4-7 / Blome
Gerhard Frommel (1906-1984) regarded his piano sonatas as a miniature compendium of his entire output, reflecting a fundamentally Romantic approach melded with Stravinskian vitality. The sixth sonata’s poised profundity, inventiveness and structural perfection gives it a place as one of the best in its genre, its serene transparency lying between the powerfully heroic fifth sonata and the crystalline quality of the seventh; a summation of expression in a work that Frommel was conscious would be his last.
As a twelve-year-old Tatjana Blome won first prize in the Steinway Competition and a year later gave her first evening recital. In 1995 she made her debut in the Berlin Philharmonie with Brahms’s Piano Concerto No. 1. She studied with Josef Matthias Blome, Renate Kretschmar-Fischer, Heidrun Holtmann, Aribert Reimann and Gerhard Oppitz. Her career has brought performances throughout Europe, with recitals in Austria, France, Slovenia, Portugal and Russia and appearances as a soloist with various orchestras. Tatjana Blome has recorded over fifty works for labels including Deutsche Grammophon, EDA and Grand Piano.
As a twelve-year-old Tatjana Blome won first prize in the Steinway Competition and a year later gave her first evening recital. In 1995 she made her debut in the Berlin Philharmonie with Brahms’s Piano Concerto No. 1. She studied with Josef Matthias Blome, Renate Kretschmar-Fischer, Heidrun Holtmann, Aribert Reimann and Gerhard Oppitz. Her career has brought performances throughout Europe, with recitals in Austria, France, Slovenia, Portugal and Russia and appearances as a soloist with various orchestras. Tatjana Blome has recorded over fifty works for labels including Deutsche Grammophon, EDA and Grand Piano.
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Frommel: Piano Sonatas Nos. 4-7 / Blome
Gerhard Frommel (1906-1984) regarded his piano sonatas as a miniature compendium of his entire output, reflecting a fundamentally Romantic approach melded with Stravinskian vitality. The sixth sonata’s poised profundity, inventiveness and structural perfection gives it a place as one of the best in its genre, its serene transparency lying between the powerfully heroic fifth sonata and the crystalline quality of the seventh; a summation of expression in a work that Frommel was conscious would be his last.
As a twelve-year-old Tatjana Blome won first prize in the Steinway Competition and a year later gave her first evening recital. In 1995 she made her debut in the Berlin Philharmonie with Brahms’s Piano Concerto No. 1. She studied with Josef Matthias Blome, Renate Kretschmar-Fischer, Heidrun Holtmann, Aribert Reimann and Gerhard Oppitz. Her career has brought performances throughout Europe, with recitals in Austria, France, Slovenia, Portugal and Russia and appearances as a soloist with various orchestras. Tatjana Blome has recorded over fifty works for labels including Deutsche Grammophon, EDA and Grand Piano.
As a twelve-year-old Tatjana Blome won first prize in the Steinway Competition and a year later gave her first evening recital. In 1995 she made her debut in the Berlin Philharmonie with Brahms’s Piano Concerto No. 1. She studied with Josef Matthias Blome, Renate Kretschmar-Fischer, Heidrun Holtmann, Aribert Reimann and Gerhard Oppitz. Her career has brought performances throughout Europe, with recitals in Austria, France, Slovenia, Portugal and Russia and appearances as a soloist with various orchestras. Tatjana Blome has recorded over fifty works for labels including Deutsche Grammophon, EDA and Grand Piano.
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Gerhard Frommel (1906-1984) regarded his piano sonatas as a miniature compendium of his entire output, reflecting a fundamentally Romantic approach melded with Stravinskian vitality. The sixth sonata’s poised profundity, inventiveness and structural perfection gives it a place as one of the best in its genre, its serene transparency lying between the powerfully heroic fifth sonata and the crystalline quality of the seventh; a summation of expression in a work that Frommel was conscious would be his last.
As a twelve-year-old Tatjana Blome won first prize in the Steinway Competition and a year later gave her first evening recital. In 1995 she made her debut in the Berlin Philharmonie with Brahms’s Piano Concerto No. 1. She studied with Josef Matthias Blome, Renate Kretschmar-Fischer, Heidrun Holtmann, Aribert Reimann and Gerhard Oppitz. Her career has brought performances throughout Europe, with recitals in Austria, France, Slovenia, Portugal and Russia and appearances as a soloist with various orchestras. Tatjana Blome has recorded over fifty works for labels including Deutsche Grammophon, EDA and Grand Piano.
As a twelve-year-old Tatjana Blome won first prize in the Steinway Competition and a year later gave her first evening recital. In 1995 she made her debut in the Berlin Philharmonie with Brahms’s Piano Concerto No. 1. She studied with Josef Matthias Blome, Renate Kretschmar-Fischer, Heidrun Holtmann, Aribert Reimann and Gerhard Oppitz. Her career has brought performances throughout Europe, with recitals in Austria, France, Slovenia, Portugal and Russia and appearances as a soloist with various orchestras. Tatjana Blome has recorded over fifty works for labels including Deutsche Grammophon, EDA and Grand Piano.
