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Handel: Operatic Arias
‘Handel: Operatic Arias’, originally released in 2005, saw soprano Emma Bell perform with the Scottish Chamber Orchestra, directed from the harpsichord by Richard Egarr, in her second Linn recital disc. + The well-chosen extracts sample the whole of Handel's London operatic career, from his first (Rinaldo, 1711) to his last (Deidamia, 1741), and demonstrate his (and the singer's) wide range of moods, from defiance to resignation, from love to the wilder shores of hatred. + ‘Bell stamps her bold artistic mark on a group of peerless Handel arias. Magnificent stuff. 5 stars.’ (Classic FM)
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Handel: Operatic Arias
‘Handel: Operatic Arias’, originally released in 2005, saw soprano Emma Bell perform with the Scottish Chamber Orchestra, directed from the harpsichord by Richard Egarr, in her second Linn recital disc. + The well-chosen extracts sample the whole of Handel's London operatic career, from his first (Rinaldo, 1711) to his last (Deidamia, 1741), and demonstrate his (and the singer's) wide range of moods, from defiance to resignation, from love to the wilder shores of hatred. + ‘Bell stamps her bold artistic mark on a group of peerless Handel arias. Magnificent stuff. 5 stars.’ (Classic FM)
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‘Handel: Operatic Arias’, originally released in 2005, saw soprano Emma Bell perform with the Scottish Chamber Orchestra, directed from the harpsichord by Richard Egarr, in her second Linn recital disc. + The well-chosen extracts sample the whole of Handel's London operatic career, from his first (Rinaldo, 1711) to his last (Deidamia, 1741), and demonstrate his (and the singer's) wide range of moods, from defiance to resignation, from love to the wilder shores of hatred. + ‘Bell stamps her bold artistic mark on a group of peerless Handel arias. Magnificent stuff. 5 stars.’ (Classic FM)
