✨ New Arrivals Just Dropped!Explore
Heinrich Wilhelm Ernst: Complete Works, Vol. 5
Heinrich Wilhelm Ernst (1812-65) was one of the leading musicians of his day, a friend of Berlioz, Chopin, Liszt and Mendelssohn, and for Joseph Joachim 'the greatest violinist I ever heard'. But the popular encore pieces by which Ernst is remembered today represent only a fraction of his output. This fifth CD - in series of seven presenting all his compositions for the first time - shows his mastery on large and small scale: the Polonaise and Variations on a Dutch Air are grand and brilliant compositions for the concert hall, and the sparkling operatic miniatures and tender arrangements are altogether more intimate.
$10.49
Heinrich Wilhelm Ernst: Complete Works, Vol. 5—
$10.49
More Images
Heinrich Wilhelm Ernst: Complete Works, Vol. 5
Heinrich Wilhelm Ernst (1812-65) was one of the leading musicians of his day, a friend of Berlioz, Chopin, Liszt and Mendelssohn, and for Joseph Joachim 'the greatest violinist I ever heard'. But the popular encore pieces by which Ernst is remembered today represent only a fraction of his output. This fifth CD - in series of seven presenting all his compositions for the first time - shows his mastery on large and small scale: the Polonaise and Variations on a Dutch Air are grand and brilliant compositions for the concert hall, and the sparkling operatic miniatures and tender arrangements are altogether more intimate.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Heinrich Wilhelm Ernst (1812-65) was one of the leading musicians of his day, a friend of Berlioz, Chopin, Liszt and Mendelssohn, and for Joseph Joachim 'the greatest violinist I ever heard'. But the popular encore pieces by which Ernst is remembered today represent only a fraction of his output. This fifth CD - in series of seven presenting all his compositions for the first time - shows his mastery on large and small scale: the Polonaise and Variations on a Dutch Air are grand and brilliant compositions for the concert hall, and the sparkling operatic miniatures and tender arrangements are altogether more intimate.
