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Kirchner: media vita in morte sumus
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Kirchner: media vita in morte sumus

Kirchner: media vita in morte sumus

Volker David Kirchner has repeatedly been denied the recognition he deserves because he is out-of-step with the aesthetic ideas that the avant-garde believed were the only valid ones. For Kirchner, e.g. The reference to the tradition and particularly to the sound of the human voice cannot be denied. His obsidian songs are characterized by almost theatrical drama, while the songs of poems by Else Lasker-Schuler and the cycle Media vita in morte sumus rather emphasize the meditative. The two last mentioned works were written for the mezzo voice heard on this recording, Julia Ostertag.
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Kirchner: media vita in morte sumus
$20.99

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Kirchner: media vita in morte sumus

Volker David Kirchner has repeatedly been denied the recognition he deserves because he is out-of-step with the aesthetic ideas that the avant-garde believed were the only valid ones. For Kirchner, e.g. The reference to the tradition and particularly to the sound of the human voice cannot be denied. His obsidian songs are characterized by almost theatrical drama, while the songs of poems by Else Lasker-Schuler and the cycle Media vita in morte sumus rather emphasize the meditative. The two last mentioned works were written for the mezzo voice heard on this recording, Julia Ostertag.

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Volker David Kirchner has repeatedly been denied the recognition he deserves because he is out-of-step with the aesthetic ideas that the avant-garde believed were the only valid ones. For Kirchner, e.g. The reference to the tradition and particularly to the sound of the human voice cannot be denied. His obsidian songs are characterized by almost theatrical drama, while the songs of poems by Else Lasker-Schuler and the cycle Media vita in morte sumus rather emphasize the meditative. The two last mentioned works were written for the mezzo voice heard on this recording, Julia Ostertag.