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Kozeluch: Complete Keyboard Sonatas, Vol. 2 / Kim
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Kozeluch: Complete Keyboard Sonatas, Vol. 2 / Kim

Kozeluch: Complete Keyboard Sonatas, Vol. 2 / Kim

Leopold Kozeluch (1747-1818) was born in Bohemia but spent his professional life in Vienna, where he became a famous musician and composer, for a time even eclipsing Mozart’s fame. The sonatas included in this second volume have 3 or 4 movements, of the same scope as Haydn’s sonatas. They are written in the Galante Style, with easy flowing melodies, featuring a highly developed keyboard virtuosity in the abundance of scales, arpeggios, runs in thirds and sixths, repeated notes and tremolos. Jenny Soonjin Kim plays a fortepiano (Kozeluch preferred fortepianos to harpsichords). The first volume of the complete Kozeluch Sonatas was praised by the press for its spontaneity, keen sense of the style and effortless and brilliant technique.

$6.30

Original: $17.99

-65%
Kozeluch: Complete Keyboard Sonatas, Vol. 2 / Kim

$17.99

$6.30

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Kozeluch: Complete Keyboard Sonatas, Vol. 2 / Kim

Leopold Kozeluch (1747-1818) was born in Bohemia but spent his professional life in Vienna, where he became a famous musician and composer, for a time even eclipsing Mozart’s fame. The sonatas included in this second volume have 3 or 4 movements, of the same scope as Haydn’s sonatas. They are written in the Galante Style, with easy flowing melodies, featuring a highly developed keyboard virtuosity in the abundance of scales, arpeggios, runs in thirds and sixths, repeated notes and tremolos. Jenny Soonjin Kim plays a fortepiano (Kozeluch preferred fortepianos to harpsichords). The first volume of the complete Kozeluch Sonatas was praised by the press for its spontaneity, keen sense of the style and effortless and brilliant technique.

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Leopold Kozeluch (1747-1818) was born in Bohemia but spent his professional life in Vienna, where he became a famous musician and composer, for a time even eclipsing Mozart’s fame. The sonatas included in this second volume have 3 or 4 movements, of the same scope as Haydn’s sonatas. They are written in the Galante Style, with easy flowing melodies, featuring a highly developed keyboard virtuosity in the abundance of scales, arpeggios, runs in thirds and sixths, repeated notes and tremolos. Jenny Soonjin Kim plays a fortepiano (Kozeluch preferred fortepianos to harpsichords). The first volume of the complete Kozeluch Sonatas was praised by the press for its spontaneity, keen sense of the style and effortless and brilliant technique.