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Live: Beethoven, Enescu, Chopin / Richard-Hamelin
The maturity of his playing is most impressive. So too is the scope of his recital, which avoids the obvious. In Beethoven’s Op 51 Rondos he is particularly responsive to the Second Rondo’s more capricious moments, while its close, with a sudden outbreak of high spirits, is delightful. His way with Chopin's early Introduction and Rondo, balancing delicacy and sinew without a hint of sentimentality, is very telling.
But the highlight for me was Enescu’s Second Suite. I have to confess this was new to be—but what a piece! Everywhere, he displays a strong sense of narrative, making him a compelling storyteller. Captured in a warmly immediate recording, Richard-Hamelin is a welcome new voice on the pianistic firmament.
– Gramophone
But the highlight for me was Enescu’s Second Suite. I have to confess this was new to be—but what a piece! Everywhere, he displays a strong sense of narrative, making him a compelling storyteller. Captured in a warmly immediate recording, Richard-Hamelin is a welcome new voice on the pianistic firmament.
– Gramophone
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Live: Beethoven, Enescu, Chopin / Richard-Hamelin
The maturity of his playing is most impressive. So too is the scope of his recital, which avoids the obvious. In Beethoven’s Op 51 Rondos he is particularly responsive to the Second Rondo’s more capricious moments, while its close, with a sudden outbreak of high spirits, is delightful. His way with Chopin's early Introduction and Rondo, balancing delicacy and sinew without a hint of sentimentality, is very telling.
But the highlight for me was Enescu’s Second Suite. I have to confess this was new to be—but what a piece! Everywhere, he displays a strong sense of narrative, making him a compelling storyteller. Captured in a warmly immediate recording, Richard-Hamelin is a welcome new voice on the pianistic firmament.
– Gramophone
But the highlight for me was Enescu’s Second Suite. I have to confess this was new to be—but what a piece! Everywhere, he displays a strong sense of narrative, making him a compelling storyteller. Captured in a warmly immediate recording, Richard-Hamelin is a welcome new voice on the pianistic firmament.
– Gramophone
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The maturity of his playing is most impressive. So too is the scope of his recital, which avoids the obvious. In Beethoven’s Op 51 Rondos he is particularly responsive to the Second Rondo’s more capricious moments, while its close, with a sudden outbreak of high spirits, is delightful. His way with Chopin's early Introduction and Rondo, balancing delicacy and sinew without a hint of sentimentality, is very telling.
But the highlight for me was Enescu’s Second Suite. I have to confess this was new to be—but what a piece! Everywhere, he displays a strong sense of narrative, making him a compelling storyteller. Captured in a warmly immediate recording, Richard-Hamelin is a welcome new voice on the pianistic firmament.
– Gramophone
But the highlight for me was Enescu’s Second Suite. I have to confess this was new to be—but what a piece! Everywhere, he displays a strong sense of narrative, making him a compelling storyteller. Captured in a warmly immediate recording, Richard-Hamelin is a welcome new voice on the pianistic firmament.
– Gramophone
