✨ New Arrivals Just Dropped!Explore
HomeStore
Malipiero, Ghedini, Casella: Music for Cellos and Orchestra / Shugaev, Uryupin, D. Prokofiev, Rostov Academic Symphony Orchestra
Malipiero, Ghedini, Casella: Music for Cellos and Orchestra / Shugaev, Uryupin, D. Prokofiev, Rostov Academic Symphony Orchestra
The composers of these 20th-century Italian works were all associated with the cello from a young age. Their deep understanding of the instrument reveals itself in three contrasting concertante pieces where soloist and orchestra collaborate to explore a wide range of colors and moods, and whose slow movements are among the most beautiful each composer ever wrote. Malipiero viewed the soloist in his concertos as a voice rising in a crowd; the mysterious and autumnal L’Olmeneta is the largest and most individual of Ghedini’s cello works; and Casella’s Notturno e tarantella is a sunny piece, expertly orchestrated.
$9.99
Malipiero, Ghedini, Casella: Music for Cellos and Orchestra / Shugaev, Uryupin, D. Prokofiev, Rostov Academic Symphony Orchestra—
$9.99
More Images
Malipiero, Ghedini, Casella: Music for Cellos and Orchestra / Shugaev, Uryupin, D. Prokofiev, Rostov Academic Symphony Orchestra
The composers of these 20th-century Italian works were all associated with the cello from a young age. Their deep understanding of the instrument reveals itself in three contrasting concertante pieces where soloist and orchestra collaborate to explore a wide range of colors and moods, and whose slow movements are among the most beautiful each composer ever wrote. Malipiero viewed the soloist in his concertos as a voice rising in a crowd; the mysterious and autumnal L’Olmeneta is the largest and most individual of Ghedini’s cello works; and Casella’s Notturno e tarantella is a sunny piece, expertly orchestrated.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
The composers of these 20th-century Italian works were all associated with the cello from a young age. Their deep understanding of the instrument reveals itself in three contrasting concertante pieces where soloist and orchestra collaborate to explore a wide range of colors and moods, and whose slow movements are among the most beautiful each composer ever wrote. Malipiero viewed the soloist in his concertos as a voice rising in a crowd; the mysterious and autumnal L’Olmeneta is the largest and most individual of Ghedini’s cello works; and Casella’s Notturno e tarantella is a sunny piece, expertly orchestrated.
