Mozart: Symphonies KV 425 & 385 / Nikolic, Netherlands Chamber Orchestra
It is well-known that musicians very often sit in a circle in Tacet’s recordings. With this layout, they don't just hear each other, they can also see each other. This means that the musical exchanges between the musicians are simpler and better. And it is easier to achieve a natural-sounding recording, not only in Tacet Real SS but also in stereo. But is it even possible for an orchestral recording? And without a conductor? We were intrigued by the question and so decided to pursue it. The answer? It does indeed work - in fact very well! At the very least, a layout like this expresses the equality of all the participants. The Netherlands Chamber Orchestra puts down a spicy performance of two of Mozart's bubbliest symphonies: the "Prague" and the "Linz". The musicians of the NPhO and to Gordan Nikolic took on this successful venture with great enthusiasm, and the result pays dividends!
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Mozart: Symphonies KV 425 & 385 / Nikolic, Netherlands Chamber Orchestra
It is well-known that musicians very often sit in a circle in Tacet’s recordings. With this layout, they don't just hear each other, they can also see each other. This means that the musical exchanges between the musicians are simpler and better. And it is easier to achieve a natural-sounding recording, not only in Tacet Real SS but also in stereo. But is it even possible for an orchestral recording? And without a conductor? We were intrigued by the question and so decided to pursue it. The answer? It does indeed work - in fact very well! At the very least, a layout like this expresses the equality of all the participants. The Netherlands Chamber Orchestra puts down a spicy performance of two of Mozart's bubbliest symphonies: the "Prague" and the "Linz". The musicians of the NPhO and to Gordan Nikolic took on this successful venture with great enthusiasm, and the result pays dividends!
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It is well-known that musicians very often sit in a circle in Tacet’s recordings. With this layout, they don't just hear each other, they can also see each other. This means that the musical exchanges between the musicians are simpler and better. And it is easier to achieve a natural-sounding recording, not only in Tacet Real SS but also in stereo. But is it even possible for an orchestral recording? And without a conductor? We were intrigued by the question and so decided to pursue it. The answer? It does indeed work - in fact very well! At the very least, a layout like this expresses the equality of all the participants. The Netherlands Chamber Orchestra puts down a spicy performance of two of Mozart's bubbliest symphonies: the "Prague" and the "Linz". The musicians of the NPhO and to Gordan Nikolic took on this successful venture with great enthusiasm, and the result pays dividends!
