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Nowell synge we bothe al and som / Gothic Voices
Gothic Voices’ reputation for the originality of its programming is cemented with its first recording of medieval Christmas music, in which Julian Podger reimagines a fifteenth-century carol evening. Mirroring the modern practice of performing mostly music from the preceding centuries alongside some contemporary repertoire, the programme includes late medieval English carols, chant, mono-and polyphonic songs and motets for the Advent and Christmas season, focusing on Mary, her Annunciation and the birth of Jesus. Larger-scale festive motets and mass movements by English late medieval celebrities John Dunstaple and Leonel Power also feature. The ‘evening’ concludes with a summons to wake up to the significance of Christmas, with the conductus callResonet, intonetintroducing the carols Nowell synge we bothe al and som and Nowell: Owt of your slepe and the great Christmas chant Puer natus est nobis, arranged here into a joyful finale. This recording has been widely anticipated since a performance of this repertoire in December 2016 was chosen by BBC Music Magazine as its number one unmissable Christmas event.
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REVIEW:
It seems extraordinary that this should be Gothic Voices’ first Christmas-themed album; nevertheless, it has been worth the wait to hear these wellknown works performed by this ensemble. Their textures are always buoyant: listen for the fourth verse, which describes the Virgin’s swollen womb, where they use an atmospheric vocalised drone.
– Gramophone
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REVIEW:
It seems extraordinary that this should be Gothic Voices’ first Christmas-themed album; nevertheless, it has been worth the wait to hear these wellknown works performed by this ensemble. Their textures are always buoyant: listen for the fourth verse, which describes the Virgin’s swollen womb, where they use an atmospheric vocalised drone.
– Gramophone
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Nowell synge we bothe al and som / Gothic Voices
Gothic Voices’ reputation for the originality of its programming is cemented with its first recording of medieval Christmas music, in which Julian Podger reimagines a fifteenth-century carol evening. Mirroring the modern practice of performing mostly music from the preceding centuries alongside some contemporary repertoire, the programme includes late medieval English carols, chant, mono-and polyphonic songs and motets for the Advent and Christmas season, focusing on Mary, her Annunciation and the birth of Jesus. Larger-scale festive motets and mass movements by English late medieval celebrities John Dunstaple and Leonel Power also feature. The ‘evening’ concludes with a summons to wake up to the significance of Christmas, with the conductus callResonet, intonetintroducing the carols Nowell synge we bothe al and som and Nowell: Owt of your slepe and the great Christmas chant Puer natus est nobis, arranged here into a joyful finale. This recording has been widely anticipated since a performance of this repertoire in December 2016 was chosen by BBC Music Magazine as its number one unmissable Christmas event.
-----
REVIEW:
It seems extraordinary that this should be Gothic Voices’ first Christmas-themed album; nevertheless, it has been worth the wait to hear these wellknown works performed by this ensemble. Their textures are always buoyant: listen for the fourth verse, which describes the Virgin’s swollen womb, where they use an atmospheric vocalised drone.
– Gramophone
-----
REVIEW:
It seems extraordinary that this should be Gothic Voices’ first Christmas-themed album; nevertheless, it has been worth the wait to hear these wellknown works performed by this ensemble. Their textures are always buoyant: listen for the fourth verse, which describes the Virgin’s swollen womb, where they use an atmospheric vocalised drone.
– Gramophone
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Description
Gothic Voices’ reputation for the originality of its programming is cemented with its first recording of medieval Christmas music, in which Julian Podger reimagines a fifteenth-century carol evening. Mirroring the modern practice of performing mostly music from the preceding centuries alongside some contemporary repertoire, the programme includes late medieval English carols, chant, mono-and polyphonic songs and motets for the Advent and Christmas season, focusing on Mary, her Annunciation and the birth of Jesus. Larger-scale festive motets and mass movements by English late medieval celebrities John Dunstaple and Leonel Power also feature. The ‘evening’ concludes with a summons to wake up to the significance of Christmas, with the conductus callResonet, intonetintroducing the carols Nowell synge we bothe al and som and Nowell: Owt of your slepe and the great Christmas chant Puer natus est nobis, arranged here into a joyful finale. This recording has been widely anticipated since a performance of this repertoire in December 2016 was chosen by BBC Music Magazine as its number one unmissable Christmas event.
-----
REVIEW:
It seems extraordinary that this should be Gothic Voices’ first Christmas-themed album; nevertheless, it has been worth the wait to hear these wellknown works performed by this ensemble. Their textures are always buoyant: listen for the fourth verse, which describes the Virgin’s swollen womb, where they use an atmospheric vocalised drone.
– Gramophone
-----
REVIEW:
It seems extraordinary that this should be Gothic Voices’ first Christmas-themed album; nevertheless, it has been worth the wait to hear these wellknown works performed by this ensemble. Their textures are always buoyant: listen for the fourth verse, which describes the Virgin’s swollen womb, where they use an atmospheric vocalised drone.
– Gramophone
