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Paris, 1937: A Homage to "Trio d'anches de Paris"
"I know of no virtuoso trio of this class in the entire world." (Wieland Wagner, 1934) The Trio d’Anches (Reed Trio), of whom Wieland refers, bassoonist Fernand Oubradous, Myrtil Morel (oboe) and Pierre Lefebvre (clarinet) came together in the Paris of the 1920s. This tribute to them, the colorful Parisian world of the time and that typical French line-up of oboe, clarinet and bassoon features a number of original compositions and arrangements as played by the first-rate Trio Lézard.
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Paris, 1937: A Homage to "Trio d'anches de Paris"—
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Paris, 1937: A Homage to "Trio d'anches de Paris"
"I know of no virtuoso trio of this class in the entire world." (Wieland Wagner, 1934) The Trio d’Anches (Reed Trio), of whom Wieland refers, bassoonist Fernand Oubradous, Myrtil Morel (oboe) and Pierre Lefebvre (clarinet) came together in the Paris of the 1920s. This tribute to them, the colorful Parisian world of the time and that typical French line-up of oboe, clarinet and bassoon features a number of original compositions and arrangements as played by the first-rate Trio Lézard.
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"I know of no virtuoso trio of this class in the entire world." (Wieland Wagner, 1934) The Trio d’Anches (Reed Trio), of whom Wieland refers, bassoonist Fernand Oubradous, Myrtil Morel (oboe) and Pierre Lefebvre (clarinet) came together in the Paris of the 1920s. This tribute to them, the colorful Parisian world of the time and that typical French line-up of oboe, clarinet and bassoon features a number of original compositions and arrangements as played by the first-rate Trio Lézard.
