Rachmaninoff: All-Night Vigil / Kļava, Latvian Radio Choir
REVIEW:
"In 1915, just two years before the Russian Revolution, Sergei Rachmaninoff wrote the breathtaking All-Night Vigil, a high-water mark for Russian Orthodox choral music. But the work had a short shelf life as the Bolsheviks cracked down on religion. These days, recordings of the work abound, but this new version by the Latvian Radio Choir and conductor Sigvards Klava is among the best. There's no orchestra, just voices, yet Rachmaninoff applies terrific coloristic and orchestral effects. In one section, sopranos ring out like tolling church bells. And here, listen for the rich, symphonic layering he gets with groups of voices shining like rays of light through stained glass." – Tom Huizenga, NPR Music
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Rachmaninoff: All-Night Vigil / Kļava, Latvian Radio Choir
REVIEW:
"In 1915, just two years before the Russian Revolution, Sergei Rachmaninoff wrote the breathtaking All-Night Vigil, a high-water mark for Russian Orthodox choral music. But the work had a short shelf life as the Bolsheviks cracked down on religion. These days, recordings of the work abound, but this new version by the Latvian Radio Choir and conductor Sigvards Klava is among the best. There's no orchestra, just voices, yet Rachmaninoff applies terrific coloristic and orchestral effects. In one section, sopranos ring out like tolling church bells. And here, listen for the rich, symphonic layering he gets with groups of voices shining like rays of light through stained glass." – Tom Huizenga, NPR Music
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REVIEW:
"In 1915, just two years before the Russian Revolution, Sergei Rachmaninoff wrote the breathtaking All-Night Vigil, a high-water mark for Russian Orthodox choral music. But the work had a short shelf life as the Bolsheviks cracked down on religion. These days, recordings of the work abound, but this new version by the Latvian Radio Choir and conductor Sigvards Klava is among the best. There's no orchestra, just voices, yet Rachmaninoff applies terrific coloristic and orchestral effects. In one section, sopranos ring out like tolling church bells. And here, listen for the rich, symphonic layering he gets with groups of voices shining like rays of light through stained glass." – Tom Huizenga, NPR Music
