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Rouse: Seeing; Kabir Padavali
Winner of a Pulitzer Prize and a Grammy® Award, Christopher Rouse is one of America’s most prominent composers of orchestral music, creating a body of work perhaps unequaled in its emotional intensity. Conceived from the start as differing from a traditional piano concerto, Seeing brings together seemingly disparate elements to explore the notion of ‘sanity’ through the music of Robert Schumann and Skip Spence, swinging between extremes of consonance and dissonance, stability and instability, to create a disorientating and hallucinatory work seen through the lens of mental illness. Kabir Padavali or ‘Kabir Songbook’ presents a range of the great Indian poet’s religious concerns, from extraordinarily beautiful ecstasy to impishly humorous allegories.
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Review:
Trevigne is nothing less than sensational. She is assured in her presentation, and possesses a warm and, yes, voluptuous soprano that is perfectly matched to this material. Her performance shows a level of commitment to the composer’s intentions that only the best singers of contemporary music can command.
– Fanfare
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Review:
Trevigne is nothing less than sensational. She is assured in her presentation, and possesses a warm and, yes, voluptuous soprano that is perfectly matched to this material. Her performance shows a level of commitment to the composer’s intentions that only the best singers of contemporary music can command.
– Fanfare
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Rouse: Seeing; Kabir Padavali
Winner of a Pulitzer Prize and a Grammy® Award, Christopher Rouse is one of America’s most prominent composers of orchestral music, creating a body of work perhaps unequaled in its emotional intensity. Conceived from the start as differing from a traditional piano concerto, Seeing brings together seemingly disparate elements to explore the notion of ‘sanity’ through the music of Robert Schumann and Skip Spence, swinging between extremes of consonance and dissonance, stability and instability, to create a disorientating and hallucinatory work seen through the lens of mental illness. Kabir Padavali or ‘Kabir Songbook’ presents a range of the great Indian poet’s religious concerns, from extraordinarily beautiful ecstasy to impishly humorous allegories.
-----
Review:
Trevigne is nothing less than sensational. She is assured in her presentation, and possesses a warm and, yes, voluptuous soprano that is perfectly matched to this material. Her performance shows a level of commitment to the composer’s intentions that only the best singers of contemporary music can command.
– Fanfare
-----
Review:
Trevigne is nothing less than sensational. She is assured in her presentation, and possesses a warm and, yes, voluptuous soprano that is perfectly matched to this material. Her performance shows a level of commitment to the composer’s intentions that only the best singers of contemporary music can command.
– Fanfare
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Winner of a Pulitzer Prize and a Grammy® Award, Christopher Rouse is one of America’s most prominent composers of orchestral music, creating a body of work perhaps unequaled in its emotional intensity. Conceived from the start as differing from a traditional piano concerto, Seeing brings together seemingly disparate elements to explore the notion of ‘sanity’ through the music of Robert Schumann and Skip Spence, swinging between extremes of consonance and dissonance, stability and instability, to create a disorientating and hallucinatory work seen through the lens of mental illness. Kabir Padavali or ‘Kabir Songbook’ presents a range of the great Indian poet’s religious concerns, from extraordinarily beautiful ecstasy to impishly humorous allegories.
-----
Review:
Trevigne is nothing less than sensational. She is assured in her presentation, and possesses a warm and, yes, voluptuous soprano that is perfectly matched to this material. Her performance shows a level of commitment to the composer’s intentions that only the best singers of contemporary music can command.
– Fanfare
-----
Review:
Trevigne is nothing less than sensational. She is assured in her presentation, and possesses a warm and, yes, voluptuous soprano that is perfectly matched to this material. Her performance shows a level of commitment to the composer’s intentions that only the best singers of contemporary music can command.
– Fanfare
