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Schubert: Schwanengesang & Schumann: Dichterliebe / Behle, Gordes, Orchester Der Kammeroper Munchen
Schubert: Schwanengesang & Schumann: Dichterliebe / Behle, Gordes, Orchester Der Kammeroper Munchen
For the first time, star tenor Daniel Behle sings in a GENUIN production: Together with the Orchestra of the Munich Chamber Opera, he interprets two of the most beautiful song cycles ever, namely Franz Schubert's Schwanengesang and Robert Schumann's Dichterliebe. In both cycles, Alexander Krampe transforms the original piano accompaniment into an exciting orchestral arrangement. This is supported by the tonally rich and supple voice of Daniel Behle in the most fortunate manner: from the delicate textures of Schubert's Liebesbotschaft to the pale expanses of his Doppelgänger to the cutting rhythms of Schumann's Die alten, bösen Lieder.
$5.60
Original: $15.99
-65%Schubert: Schwanengesang & Schumann: Dichterliebe / Behle, Gordes, Orchester Der Kammeroper Munchen—
$15.99
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Schubert: Schwanengesang & Schumann: Dichterliebe / Behle, Gordes, Orchester Der Kammeroper Munchen
For the first time, star tenor Daniel Behle sings in a GENUIN production: Together with the Orchestra of the Munich Chamber Opera, he interprets two of the most beautiful song cycles ever, namely Franz Schubert's Schwanengesang and Robert Schumann's Dichterliebe. In both cycles, Alexander Krampe transforms the original piano accompaniment into an exciting orchestral arrangement. This is supported by the tonally rich and supple voice of Daniel Behle in the most fortunate manner: from the delicate textures of Schubert's Liebesbotschaft to the pale expanses of his Doppelgänger to the cutting rhythms of Schumann's Die alten, bösen Lieder.
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For the first time, star tenor Daniel Behle sings in a GENUIN production: Together with the Orchestra of the Munich Chamber Opera, he interprets two of the most beautiful song cycles ever, namely Franz Schubert's Schwanengesang and Robert Schumann's Dichterliebe. In both cycles, Alexander Krampe transforms the original piano accompaniment into an exciting orchestral arrangement. This is supported by the tonally rich and supple voice of Daniel Behle in the most fortunate manner: from the delicate textures of Schubert's Liebesbotschaft to the pale expanses of his Doppelgänger to the cutting rhythms of Schumann's Die alten, bösen Lieder.
