Sousa: Music For Wind Band, Vol. 11 / Brion, Royal Swedish Navy Band
John Philip Sousa’s compositions and the unprecedented international popularity of the Sousa Band helped establish the identity of a nation still culturally innocent and full of brash new energy. Sousa’s patriotism is represented in the Globe and Eagle March, the inspiring Keeping Step with the Union March and the setting of war verses for the We Are Coming March. Upbeat pieces such as the Tally Ho Overture contrast with the Sunday hymn fantasy In Pulpit and Pew, the fantasy In Parlour and Street, a medley of popular, operetta and operatic tunes, and a charmingly original version of Sousa’s favorite folk-song Bonnie Annie Laurie.
More Images
Sousa: Music For Wind Band, Vol. 11 / Brion, Royal Swedish Navy Band
John Philip Sousa’s compositions and the unprecedented international popularity of the Sousa Band helped establish the identity of a nation still culturally innocent and full of brash new energy. Sousa’s patriotism is represented in the Globe and Eagle March, the inspiring Keeping Step with the Union March and the setting of war verses for the We Are Coming March. Upbeat pieces such as the Tally Ho Overture contrast with the Sunday hymn fantasy In Pulpit and Pew, the fantasy In Parlour and Street, a medley of popular, operetta and operatic tunes, and a charmingly original version of Sousa’s favorite folk-song Bonnie Annie Laurie.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
John Philip Sousa’s compositions and the unprecedented international popularity of the Sousa Band helped establish the identity of a nation still culturally innocent and full of brash new energy. Sousa’s patriotism is represented in the Globe and Eagle March, the inspiring Keeping Step with the Union March and the setting of war verses for the We Are Coming March. Upbeat pieces such as the Tally Ho Overture contrast with the Sunday hymn fantasy In Pulpit and Pew, the fantasy In Parlour and Street, a medley of popular, operetta and operatic tunes, and a charmingly original version of Sousa’s favorite folk-song Bonnie Annie Laurie.
