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The Treasury Shows, Vol. 8
Duke Ellington & Orchestra: Duke Ellington (piano); Ray Nance (vocals, trumpet, violin); Kay Davis, Al Hibbler, Joya Sherrill (vocals); Johnny Hodges, Otto Hardwick (alto saxophone); Jimmy Hamilton (tenor saxophone, clarinet); Al Sears (tenor saxophone); Rex Stewart, Taft Jordan, Shelton Hemphill, Cat Anderson (trumpet); Joseph Nanton, Lawrence Brown, Claude Jones (trombone); Billy Strayhorn (piano); Fred Guy (guitar); Junior Raglin (bass); Sonny Greeer (drums). Recorded on July 14 & September 21, 1945. During 1945 and 1946, Duke Ellington recorded a number of broadcast transcriptions for use by the U. S. Treasury Department to promote the sale of war bonds. This eighth volume, issued by Storyville, is yet another two-disc set that compiles three different broadcasts. While the sound quality is decent for the soloists and only so-so for the whole band, the occasional rarity like "Let the Zoomers Drool" or "Ultra Violet, " as well as superb renditions of favorites like "C Jam Blues, " "Ko-Ko, " and "Main Stem" will be of interest to Ellington collectors. A surprise inclusion is Ellington's nearly 12-minute tone poem from 1935, "Reminiscing in Tempo, " though it was no favorite of star soloists like Johnny Hodges, who preferred opportunities to blow. But this volume falls a little bit short in value compared to earlier sets in the series, because of inconsistent sound quality and overall programs that are not as interesting as a typical Ellington concert, though at least the long medleys of hits always featured in his later years are not present. - Ken Dryden.
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The Treasury Shows, Vol. 8
Duke Ellington & Orchestra: Duke Ellington (piano); Ray Nance (vocals, trumpet, violin); Kay Davis, Al Hibbler, Joya Sherrill (vocals); Johnny Hodges, Otto Hardwick (alto saxophone); Jimmy Hamilton (tenor saxophone, clarinet); Al Sears (tenor saxophone); Rex Stewart, Taft Jordan, Shelton Hemphill, Cat Anderson (trumpet); Joseph Nanton, Lawrence Brown, Claude Jones (trombone); Billy Strayhorn (piano); Fred Guy (guitar); Junior Raglin (bass); Sonny Greeer (drums). Recorded on July 14 & September 21, 1945. During 1945 and 1946, Duke Ellington recorded a number of broadcast transcriptions for use by the U. S. Treasury Department to promote the sale of war bonds. This eighth volume, issued by Storyville, is yet another two-disc set that compiles three different broadcasts. While the sound quality is decent for the soloists and only so-so for the whole band, the occasional rarity like "Let the Zoomers Drool" or "Ultra Violet, " as well as superb renditions of favorites like "C Jam Blues, " "Ko-Ko, " and "Main Stem" will be of interest to Ellington collectors. A surprise inclusion is Ellington's nearly 12-minute tone poem from 1935, "Reminiscing in Tempo, " though it was no favorite of star soloists like Johnny Hodges, who preferred opportunities to blow. But this volume falls a little bit short in value compared to earlier sets in the series, because of inconsistent sound quality and overall programs that are not as interesting as a typical Ellington concert, though at least the long medleys of hits always featured in his later years are not present. - Ken Dryden.
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Duke Ellington & Orchestra: Duke Ellington (piano); Ray Nance (vocals, trumpet, violin); Kay Davis, Al Hibbler, Joya Sherrill (vocals); Johnny Hodges, Otto Hardwick (alto saxophone); Jimmy Hamilton (tenor saxophone, clarinet); Al Sears (tenor saxophone); Rex Stewart, Taft Jordan, Shelton Hemphill, Cat Anderson (trumpet); Joseph Nanton, Lawrence Brown, Claude Jones (trombone); Billy Strayhorn (piano); Fred Guy (guitar); Junior Raglin (bass); Sonny Greeer (drums). Recorded on July 14 & September 21, 1945. During 1945 and 1946, Duke Ellington recorded a number of broadcast transcriptions for use by the U. S. Treasury Department to promote the sale of war bonds. This eighth volume, issued by Storyville, is yet another two-disc set that compiles three different broadcasts. While the sound quality is decent for the soloists and only so-so for the whole band, the occasional rarity like "Let the Zoomers Drool" or "Ultra Violet, " as well as superb renditions of favorites like "C Jam Blues, " "Ko-Ko, " and "Main Stem" will be of interest to Ellington collectors. A surprise inclusion is Ellington's nearly 12-minute tone poem from 1935, "Reminiscing in Tempo, " though it was no favorite of star soloists like Johnny Hodges, who preferred opportunities to blow. But this volume falls a little bit short in value compared to earlier sets in the series, because of inconsistent sound quality and overall programs that are not as interesting as a typical Ellington concert, though at least the long medleys of hits always featured in his later years are not present. - Ken Dryden.
