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The Wolf Gang
Performing the music of Mozart is like trying to tell a story everyone knows and has heard many times as if it were the very first time it has been told. It is a combination of musical pleasure and a wealth of variation in it's execution. The Concerto for violin nr. 3 in G major was composed in Salzburg in 1775, when Mozart was 19 years of age. We know from his letters that Mozart dreaded the first performance of the work by Concert Master Antonio Brunetti, who, according to Mozart was a blunt, reeking, mediocre violinist. He was however, greatly relieved when Frans Xaver Kolb performed the premiere instead. Kolb was a considerably more accomplished (and probably less offensive-smelling) violinist. The G major Concerto has always been a personal favorite of mine, and together with Rebaroque, I consider it a privilege to make it "ours," To tell, with our own eyes, ears and Jonas Dominique's fantastic wind arrangements, such a beautiful and moving story as this.
$15.99
The Wolf Gang—
$15.99
The Wolf Gang
Performing the music of Mozart is like trying to tell a story everyone knows and has heard many times as if it were the very first time it has been told. It is a combination of musical pleasure and a wealth of variation in it's execution. The Concerto for violin nr. 3 in G major was composed in Salzburg in 1775, when Mozart was 19 years of age. We know from his letters that Mozart dreaded the first performance of the work by Concert Master Antonio Brunetti, who, according to Mozart was a blunt, reeking, mediocre violinist. He was however, greatly relieved when Frans Xaver Kolb performed the premiere instead. Kolb was a considerably more accomplished (and probably less offensive-smelling) violinist. The G major Concerto has always been a personal favorite of mine, and together with Rebaroque, I consider it a privilege to make it "ours," To tell, with our own eyes, ears and Jonas Dominique's fantastic wind arrangements, such a beautiful and moving story as this.
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Performing the music of Mozart is like trying to tell a story everyone knows and has heard many times as if it were the very first time it has been told. It is a combination of musical pleasure and a wealth of variation in it's execution. The Concerto for violin nr. 3 in G major was composed in Salzburg in 1775, when Mozart was 19 years of age. We know from his letters that Mozart dreaded the first performance of the work by Concert Master Antonio Brunetti, who, according to Mozart was a blunt, reeking, mediocre violinist. He was however, greatly relieved when Frans Xaver Kolb performed the premiere instead. Kolb was a considerably more accomplished (and probably less offensive-smelling) violinist. The G major Concerto has always been a personal favorite of mine, and together with Rebaroque, I consider it a privilege to make it "ours," To tell, with our own eyes, ears and Jonas Dominique's fantastic wind arrangements, such a beautiful and moving story as this.




















