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TRUE TASTE IN THE ART OF MUSIC
No other master equaled him in tone; the sweetness and singing of his violin sound; his fine and elegant taste; his perfection in tempo and intonation (...)". What contemporaries attest to the violin playing of Francesco Geminiani (1687-1762) applies without restriction to his compositions, which are still far too little known. He attached less importance to virtuoso effects � la Vivaldi, but rather to the "melodic grace and adornment" � la Corelli, so much appreciated in his adopted country England. Some of the delicate chamber music treasures are presented here by the Ensemble Apollo's Cabinet.
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TRUE TASTE IN THE ART OF MUSIC
No other master equaled him in tone; the sweetness and singing of his violin sound; his fine and elegant taste; his perfection in tempo and intonation (...)". What contemporaries attest to the violin playing of Francesco Geminiani (1687-1762) applies without restriction to his compositions, which are still far too little known. He attached less importance to virtuoso effects � la Vivaldi, but rather to the "melodic grace and adornment" � la Corelli, so much appreciated in his adopted country England. Some of the delicate chamber music treasures are presented here by the Ensemble Apollo's Cabinet.
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No other master equaled him in tone; the sweetness and singing of his violin sound; his fine and elegant taste; his perfection in tempo and intonation (...)". What contemporaries attest to the violin playing of Francesco Geminiani (1687-1762) applies without restriction to his compositions, which are still far too little known. He attached less importance to virtuoso effects � la Vivaldi, but rather to the "melodic grace and adornment" � la Corelli, so much appreciated in his adopted country England. Some of the delicate chamber music treasures are presented here by the Ensemble Apollo's Cabinet.
