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V 16: SONATAS OPP. 109, 110
Evgeni Koroliov announces himself again with a recording of the Late Piano Sonatas of Beethoven (opp. 109, 110 and 111). A heavy, powerful touch is not his thing. Playing loudly where it is called for, Koroliov attempts to capture the listener’s attention in a different way, seducing one with his nuanced touch and an almost all-absorbing intensity. “If I could chose just one piece and soloist on a lonesome island, I would chose Koroliov. I would listen again and again to his recordings, dying of thirst and hunger till my last breath.” György Ligeti
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V 16: SONATAS OPP. 109, 110—
$23.99
V 16: SONATAS OPP. 109, 110
Evgeni Koroliov announces himself again with a recording of the Late Piano Sonatas of Beethoven (opp. 109, 110 and 111). A heavy, powerful touch is not his thing. Playing loudly where it is called for, Koroliov attempts to capture the listener’s attention in a different way, seducing one with his nuanced touch and an almost all-absorbing intensity. “If I could chose just one piece and soloist on a lonesome island, I would chose Koroliov. I would listen again and again to his recordings, dying of thirst and hunger till my last breath.” György Ligeti
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Evgeni Koroliov announces himself again with a recording of the Late Piano Sonatas of Beethoven (opp. 109, 110 and 111). A heavy, powerful touch is not his thing. Playing loudly where it is called for, Koroliov attempts to capture the listener’s attention in a different way, seducing one with his nuanced touch and an almost all-absorbing intensity. “If I could chose just one piece and soloist on a lonesome island, I would chose Koroliov. I would listen again and again to his recordings, dying of thirst and hunger till my last breath.” György Ligeti
