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V4: C. PARKER 1947
“When Charlie Parker became popular with his be-bop tunes, everybody had to change his style – the drummer, the piano player, the singer, whoever” Anita O’Day (High Times, Hard Times)
The aim of 'The Complete Charlie Parker', compiled for Fremeaux & Associes by Alain Tercinet, is to present (as far as possible) every studio-recording by Parker, together with titles featured in radio-broadcasts. Private recordings have been deliberately omitted from this selection to preserve a consistency of sound and aesthetic quality equal to the genius of this artist.
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V4: C. PARKER 1947
“When Charlie Parker became popular with his be-bop tunes, everybody had to change his style – the drummer, the piano player, the singer, whoever” Anita O’Day (High Times, Hard Times)
The aim of 'The Complete Charlie Parker', compiled for Fremeaux & Associes by Alain Tercinet, is to present (as far as possible) every studio-recording by Parker, together with titles featured in radio-broadcasts. Private recordings have been deliberately omitted from this selection to preserve a consistency of sound and aesthetic quality equal to the genius of this artist.
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“When Charlie Parker became popular with his be-bop tunes, everybody had to change his style – the drummer, the piano player, the singer, whoever” Anita O’Day (High Times, Hard Times)
The aim of 'The Complete Charlie Parker', compiled for Fremeaux & Associes by Alain Tercinet, is to present (as far as possible) every studio-recording by Parker, together with titles featured in radio-broadcasts. Private recordings have been deliberately omitted from this selection to preserve a consistency of sound and aesthetic quality equal to the genius of this artist.





















