Vivaldi: Concerti per Flauto e Flautino / Dorothee Oberlinger, Sonatori De La Gioisa Marca
Dorothee Oberlinger writes: “All the recorder concertos on this release – chamber concertos or solo concertos – were written expressly for flauto or flautino and show the imagination, delicacy, freshness, virtuosity and sometimes even melancholy, which Vivaldi put into his writing for this instrument. We have intentionally chosen tuning at 440 Hz since, in Venice, in Vivaldi’s time, tuning was higher than in neighboring musical centers such as Rome, for example, where, at times, one even played at 392 Hz. With this high tuning, the sound of the gentle gut strings becomes clearer and more brilliant.”
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Vivaldi: Concerti per Flauto e Flautino / Dorothee Oberlinger, Sonatori De La Gioisa Marca
Dorothee Oberlinger writes: “All the recorder concertos on this release – chamber concertos or solo concertos – were written expressly for flauto or flautino and show the imagination, delicacy, freshness, virtuosity and sometimes even melancholy, which Vivaldi put into his writing for this instrument. We have intentionally chosen tuning at 440 Hz since, in Venice, in Vivaldi’s time, tuning was higher than in neighboring musical centers such as Rome, for example, where, at times, one even played at 392 Hz. With this high tuning, the sound of the gentle gut strings becomes clearer and more brilliant.”
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Dorothee Oberlinger writes: “All the recorder concertos on this release – chamber concertos or solo concertos – were written expressly for flauto or flautino and show the imagination, delicacy, freshness, virtuosity and sometimes even melancholy, which Vivaldi put into his writing for this instrument. We have intentionally chosen tuning at 440 Hz since, in Venice, in Vivaldi’s time, tuning was higher than in neighboring musical centers such as Rome, for example, where, at times, one even played at 392 Hz. With this high tuning, the sound of the gentle gut strings becomes clearer and more brilliant.”
